This essay argues that the writings of Libyan Ibrahim al-Kuni, and particularly Nasif al-hajar with its emphasis on animal-human juxtapositions and metamorphoses, should be considered examples of Arab magical realism.
This essay argues that the writings of Libyan Ibrahim al-Kuni, and particularly Nasif al-hajar with its emphasis on animal-human juxtapositions and metamorphoses, should be considered examples of Arab magical realism.
© miriam cooke